KRIEGER'S COURSES HOMEWORK BLOG--*SPRING 2025*
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Monday, May 12, 2025
Friday, March 28, 2025
***ATTENTION 4th HONORS AMLIT: STUDY GUIDE FOR WK13 3-PART MAJOR QUIZ, TUES. 4/1 through THURS. 4/3***
4th Honors American Lit./Comp.
**AT HOME TONIGHT, MON. 3/31**
FROM THE BLUE MLA SHEET (WRITING SECTION), NOTES we've taken the last 10-12 weeks AND WRITING (x2)/GRAMMAR SECTION (packet of sheets) SKILLS PRACTICE SHEETS THE PAST WEEK:
--MLA STYLE BASICS for formatting formal essays/general guidelines/consistency
--MLA STYLE BASICS RE: contractions, #s under/above 10
--using 'single quotes for YOUR words' vs. "double quotes for CITED TEXT from a source" in MLA-style formal essays
- Be prepared/get prepared for your MAJOR WK13 QUIZ PART I tomorrow, TUES. 4/1 (and PART II, WED. 4/2--go ahead and start studying now, and more about PART III will be announced later this week!!!)
**WK13 MAJOR QUIZ, FULL PART I [and PART II] STUDY GUIDE BELOW:
QUIZ PART I, TUES. 4/1:
**--MATCHING SECTION FOR THE DIGITAL/MEDIA LITERACY/JOURNALISM TERMS in NOTES SECTION
--based on the Upfront article "Fake News...," name some practical and responsible steps to help discern between FACTUAL and FAKE or BIASED news/news outlets
**--THEME-RELATED TERMS for F451, "The Pedestrian: dystopia (*vs. utopia), 'cult of personality,' demagogue
--THEMES and background notes for F451
--definition/use of the lit. term PARADOX and ALLUSION in F451
--definition/use of the lit. term ANTITHESIS in "The Pedestrian"
**--THE COMMAS/SEMICOLONS/COLONS PRE-TEST SHEET: will complete for part of quiz as a POST-TEST
***************************
WK13 MAJOR QUIZ PART II, WED. 4/2:
QUIZ PART I, TUES. 4/1:
**--MATCHING SECTION FOR THE DIGITAL/MEDIA LITERACY/JOURNALISM TERMS in NOTES SECTION
--based on the Upfront article "Fake News...," name some practical and responsible steps to help discern between FACTUAL and FAKE or BIASED news/news outlets
**--THEME-RELATED TERMS for F451, "The Pedestrian: dystopia (*vs. utopia), 'cult of personality,' demagogue
--THEMES and background notes for F451
--definition/use of the lit. term PARADOX and ALLUSION in F451
--definition/use of the lit. term ANTITHESIS in "The Pedestrian"
**--THE COMMAS/SEMICOLONS/COLONS PRE-TEST SHEET: will complete for part of quiz as a POST-TEST
***************************
WK13 MAJOR QUIZ PART II, WED. 4/2:
FROM THE BLUE MLA SHEET (WRITING SECTION), NOTES we've taken the last 10-12 weeks AND WRITING (x2)/GRAMMAR SECTION (packet of sheets) SKILLS PRACTICE SHEETS THE PAST WEEK:
--MLA STYLE BASICS for formatting formal essays/general guidelines/consistency
--MLA STYLE BASICS RE: contractions, #s under/above 10
--using 'single quotes for YOUR words' vs. "double quotes for CITED TEXT from a source" in MLA-style formal essays
--uses for "[BRACKETS]" and "...ELLIPSES in quoted...text material"
--within "quotations," the correct use of commas within the quote marks
--MLA style "correct blending/citing quotes" in responses (--).
--9th EDITION MLA proper Works Cited citation of a *BOOK WITH ONE AUTHOR* (*see F451 Lit. Analysis FINAL EXT. PARA.)
--within "quotations," the correct use of commas within the quote marks
--MLA style "correct blending/citing quotes" in responses (--).
--9th EDITION MLA proper Works Cited citation of a *BOOK WITH ONE AUTHOR* (*see F451 Lit. Analysis FINAL EXT. PARA.)
--name the EIGHT forms of “BE”/PASSIVE VOICE (PV) to avoid in academic writing AND **be prepared to correct/rewrite some sentences containing PV!
--use of 'THIS + NOUN' rule in writing for clarity/being specific
--parallel structure (parallelism) in sentences; identify errors and correct them
--keeping TENSE and PERSON consistent in writing
--writing about literature = 3rd person, PRESENT TENSE VERBS ALWAYS!!!!!
--know what METADISCOURSE and 'THE ABYSS OF INCOHERENCE' mistakes are in writing/AVOID THEM BOTH!
--1st/2nd/3rd person voice/point of view (POV) in formal academic writing
--AUDIENCE/PURPOSE/CONTEXT and their IMPORTANCE in all writing
--a text's/author's ARGUMENT in writing also means = THESIS/controlling idea/main idea
--correct uses of a SEMICOLON and 'super-semicolon'
--identifying the SUBJECTS in sentences with semicolons
--commas AFTER AN INTRO PHRASE (Because I was tired, ...) or with FANBOYS conjunctions (..., and...)
--COMMONLY CONFUSED WORDS to remember/distinguish
--using TRANSITIONS effectively in writing
--POETRY vs. PROSE and the main differences in the genres
--the simple 'purpose' of a PARAGRAPH break (for the eyes)
--correct PARALLEL STRUCTURE in sentences
--using DASHES and HYPHENS correctly in words/sentences
--APOSTROPHES to show possessives
--AUDIENCE/PURPOSE/CONTEXT and their IMPORTANCE in all writing
--a text's/author's ARGUMENT in writing also means = THESIS/controlling idea/main idea
--correct uses of a SEMICOLON and 'super-semicolon'
--identifying the SUBJECTS in sentences with semicolons
--commas AFTER AN INTRO PHRASE (Because I was tired, ...) or with FANBOYS conjunctions (..., and...)
--COMMONLY CONFUSED WORDS to remember/distinguish
--using TRANSITIONS effectively in writing
--POETRY vs. PROSE and the main differences in the genres
--the simple 'purpose' of a PARAGRAPH break (for the eyes)
--correct PARALLEL STRUCTURE in sentences
--using DASHES and HYPHENS correctly in words/sentences
--APOSTROPHES to show possessives
***********AND LOOKING AHEAD:
IMPORTANT 13WK MAJOR QUIZ PART III TASK in class THURS. 4/3: APPLYING REVISION and EDITING/PROOFING to a paragraph filled w/errors BASED ON THE BLUE MLA SHEET NOTES we've taken the last 10-12 weeks
Tuesday, March 25, 2025
**ATTENTION 1st/2nd AP/1102: EVERYTHING YOU NEED IN CLASS TO SUCCESSFULLY COMPLETE J#20 for WED. 3/26 through FRI. 3/28**
1st/2nd AP LANG/ENG 1102
**ATTENTION, ALL: BELOW IS THE **SCRIPTED/CHRONOLOGICAL VERSION OF EVERYTHING WE'LL COVER IN CLASS WED. 3/26 through FRI. 3/28 (at the latest) RE: the Pres. Clinton/Lewinsky scandal and the President's U.S. apology speeches:
...AND AGAIN, FIRST and FOREMOST, PLEASE MAKE SURE YOU FOLLOW THE SPECIFIC STEPS NUMBERED BELOW IN ORDER TO COMPLETE EVERYTHING CORRECTLY
***********************
1) Now you'll be reading, listening to, and then jotting notes/annotations RE: argument/rhetorical strategies in/for one of the most highly-publicized Presidential speeches and scandals in US history: Pres. Bill Clinton's second-term in office "August 17th [1998] Apologia" speech to the nation, watched/heard by millions, regarding his public admission of his participation in an affair with White House intern Monica Lewinsky; Clinton was 49 at the time the affair started, and Lewinsky was 22; the relationship occurred between 1995-97, and it came to light in 1998
- However, before we read/listen to the apology speech, read below the following screenshots I've condensed here from the Bill of Rights Institute's site/page RE: "The Impeachment of Bill Clinton"; the info below is VERY HELPFUL in giving you a quick 'gist' of the VERY COMPLICATED situation that led to the scandal and subsequent US House of Representatives impeachment of the 42nd US President:
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Read the "Summary" above please.... |
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...and read the "Narrative" above for a slim 'overview' of a painfully-complicated situation |
2) NOW, let's READ Clinton's "August 17th Apologia" speech transcript below (also, you have the PAPER COPY of the speech in your binder RHETORIC SECTION labeled as "Clinton II"/"I Mislead People"(at the top/cut off/my handwriting)
3) AFTER READING CLINTON'S TELEVISED SPEECH ABOVE, JOT DOWN SOME ANNOTATIONS/POINTS THAT STICK OUT/TONE/PURPOSE/etc. ANSWERS/ANALYSIS about this speech (*post-its or jotting down on the speech paper copy is fine; JUST THINK/ANSWER!)
- NOTE: HERE BELOW IS A sorta/pseudo-combination of SOAPSTone and SPACECAT analysis strategies, so FEEL FREE TO USE THIS AS A **GUIDE** FOR YOUR OWN ANNOTATIONS/ANALYSIS OF THE SPEECH
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Speaker/Occassion/Audience/Purpose/Subject/Tone and Speaker/Purpose/Audience/Context/Exigence/Choices/Appeals/Tone |
4) Now that you've made some basic analysis notes on the TEXT of Clinton's apology, let's LISTEN to and WATCH his speech delivery here:
President Clinton's "August 17 [1998] Apologia" [speech to the nation/AFTER his Grand Jury testimony]
5) NOW, IN RESPONSE TO WHAT YOU JUST WATCHED, THINK ABOUT THE FOLLOWING QU's that I'll ask you about IN CLASS WHEN YOU RETURN:
5) NOW, IN RESPONSE TO WHAT YOU JUST WATCHED, THINK ABOUT THE FOLLOWING QU's that I'll ask you about IN CLASS WHEN YOU RETURN:
- Does viewing this televised broadcast change how you view the speech in any way? Tone? Sincerity? IF SO, HOW or WHY? OR...WHY NOT? BE SPECIFIC.
- Clinton was known for his effective style of communication thanks to his extensive public speaking experience, highly-favorable Presidential speech ratings, and what some have called his "deep well of charisma,"--or what's also been referred to as his "ability to scale intimacy in a room of 50 or 50,000 people."
- Based on this speech you just viewed/watched, what speaking or stylistic techniques presented by Clinton here add to that assessment of his speaking ability? Consider body language, eye contact, voice speed, gestures, wording, *rhetorical effect (*APPEALS TO ETHOS/PATHOS/LOGOS), etc.
6) NOW that you've read his televised speech (WRITTEN BY HIS PRESIDENTIAL SPEECHWRITER, btw), READ BELOW Clinton's originally/personally-penned speech ("CLINTON I") transcript below that was 'scrapped' just hours before the national broadcast:
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"Clinton I" **CLICK TO EXPAND/READ |
7) HAVING READ BOTH VERSIONS OF CLINTON'S SPEECHES ABOVE,
- REFERENCE/HAVE HANDY your NOTES/post-its you took for the CLINTON II/"APOLOGIA" speech assignment
- ALSO QUICKLY READ and LOOK OVER the following comments below from the NYTimes 5/29/18 article "When the President Testified: People in the Room Recall Clinton's 1998 Interrogation" (*good background info here that gives some CONTEXT of WHY the "Apologia" speech was chosen to air; also BTW: James Carville, mentioned here, is/was Clinton's speech writer)
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Comments from Clinton's Counsel RE: WHAT TO DO when addressing the nation later that night after his Grand Jury testimony... |
*****************
8) And, BONUS material:
- ...to see just how *evasive* was Clinton in his answers to Starr during his infamous Grand Jury deposition [yes: a sitting US President had to testify in front of a grand jury]; well, see for yourselves, folks: here's all 375+pages of the transcribed Grand Jury Testimony & Deposition of President William Jefferson Clinton
- just read, for starters, pp. 471-500-ish (*this is a lesson in how to really throw a cross attorney for a LOOP...it's a real WOW-moment)
9)NOW....
IF YOU'VE COMPLETED ALL 8 OF THESE STEPS, CONGRATULATIONS!!! You are now ready for the culminating writing assignment for these lessons/J#20 that we'll complete THURS. 3/27 and FINISH/TURN IN FRI. 3/28 in class to accompany these two pieces of US political history...
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